John Dankworth combines confidence and virtuosity with eclecticism and unpredictability in a career that spans more than fifty years as a performer, composer and conductor,.
It is unlikely that there is a British musician better known for a wider range of musical activities. For many years now his name has been synonymous with the crossing of musical barriers. Indeed he started achieving quite surprising musical breakthroughs of this sort at a time when such events were rare occurrences.
Born in 1927, John Dankworth showed early proficiency on the clarinet and by the age of 17 had entered London's Royal Academy of Music. Benny Goodman was his first idol, but he soon became impressed by the work of the great Charlie Parker, and took up the saxophone as a result.
He was voted Musician of the Year in Britain in 1949, the beginning of a succession of such honours, which included top composer, arranger and leader of both small and big bands, and was to continue unabated for the next fourteen years in Britain. Later the accolades took on different and often more international forms. During this period Dankworth's recording activities included two hit records, "Experiments with Mice" (1956) and "African Waltz" (1960).
In 1959 Dankworth's large jazz orchestra played several engagements in the United States, the first of countless such visits by its leader. The trip included a week-long concert season sharing the bill with the Duke Ellington Orchestra in its heyday. Around this time John first began devoting his musical attentions to the film world. And so began a decade or so of dozens of movie scores, including "Saturday Night and Sunday Morning", "The Servant", "Morgan", "Accident" and "Modesty Blaise", working for directors like Karel Reisz, Peter Hall, John Schlesinger, Joseph Losey and Henry Hathaway. During this time he also served as musical director for Nat "King" Cole, Ella Fitzgerald, Oscar Peterson, Sophie Tucker and many others. His composing career extended to the theatre, with commissions in Britain from the National Theatre and The Royal Shakespeare Company, as well as two musicals both involving his wife, singer Cleo Laine. Since then there has been an opera/ballet for Houston Ballet, several works for choir and orchestra, a set of symphonic variations for the Royal Philharmonic Orchestra, a piano concerto and a string quartet.
In 1985 Dankworth founded the London Symphony Orchestra's Summer Pops, with which he continued to be associated as Artistic Director until 1990. He has continued to conduct symphony orchestras throughout the world, including the majority of the great American and Canadian organisations, as well as in Hong Kong, Singapore, Australia, New Zealand, Holland and, of course, Great Britain.
John has been awarded honorary Doctorates by the University of Cambridge, the University of York and the Open University, and in the USA by Boston's Berklee College of Music. He is a fellow of the Royal Academy of Music, and an Honorary Fellow of the Royal Northern College of Music and Leeds College of Music. Elected a member of the Worshipful Company of Musicians, he received the Freedom of the City of London in 1994. He was also awarded the Company's Silver Medal for Lifetime Contribution to British Jazz, and has been honoured in the annual British Jazz Awards a number of times for his achievements in and services to British Jazz. His services to music have earned him a CBE from Her Majesty the Queen.
John Dankworth continues to travel the world playing, conducting, composing - and continuing his untiring search for musical perfection.